{"id":4175,"date":"2025-12-30T17:00:39","date_gmt":"2025-12-30T18:00:39","guid":{"rendered":"http:\/\/baldheadedgirls.com\/?p=4175"},"modified":"2026-01-01T14:56:30","modified_gmt":"2026-01-01T14:56:30","slug":"the-best-performances-of-the-year-were-black","status":"publish","type":"post","link":"http:\/\/baldheadedgirls.com\/index.php\/2025\/12\/30\/the-best-performances-of-the-year-were-black\/","title":{"rendered":"The Best Performances Of The Year Were Black"},"content":{"rendered":"<p><em>Welcome to \u201c<\/em><a href=\"https:\/\/www.refinery29.com\/en-ca\/author\/kathleen-newman-bremang\"><em>What\u2019s Good<\/em><\/a><em>,\u201d a column where we break down what\u2019s soothing, distracting, or just plain good in Hollywood with a \u201crooting for everybody Black\u201d energy. These are the best onscreen performances of 2025 by Black performers.\u00a0<\/em><\/p>\n<div>\n<figure><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-src=\"http:\/\/baldheadedgirls.com\/wp-content\/uploads\/2025\/12\/11952582.jpg\"><\/figure>\n<\/div>\n<p>The headline of my end-of-year column hasn\u2019t changed since I started compiling the best of the best in film a few years ago. <a href=\"https:\/\/www.newyorker.com\/culture\/2025-in-review\/the-best-performances-of-2025\">The Best Performances of 2025<\/a> are Black, just like they <a href=\"https:\/\/www.refinery29.com\/en-us\/2024\/12\/11830656\/best-black-movie-performances-2024\">were in 2024<\/a> and <a href=\"https:\/\/www.refinery29.com\/en-us\/2023\/12\/11625372\/best-black-movie-performances-2023\">2023<\/a>, and so on. Black performers consistently raise the bar. They are great because they <em>have<\/em> to be, and especially in a year when we saw <a href=\"https:\/\/www.refinery29.com\/en-us\/2025\/03\/11844306\/hollywood-dei-rollbacks-black-actors-cast-reboots-racism\">Hollywood roll back DEI commitments<\/a> and descend into a hellscape where Black actors had to defend themselves from being called \u201cDEI hires\u201d for simply working while Black, these performances cut through the noise and let the work speak for itself.\u00a0<\/p>\n<p>In 2025, there were so many Black performers who met the challenge of being excellent in the face of an industry that is actively trying to erase them. They took the gravity (or levity) of their material and elevated what was on the page to make it even better. In a year that tested us all \u2014 seriously, we barely survived \u2014 through their work these artists gave us so much, a reprieve from the hellscape of our social feeds and portrayals of the human experience that revealed a little more about ourselves. Every <a href=\"https:\/\/variety.com\/lists\/2025-oscars-predictions\/\">awards season<\/a>, I remind you that while <a href=\"https:\/\/www.refinery29.com\/en-ca\/2021\/09\/10683126\/emmys-2021-shutout-michaela-coel-divest\">we\u2019ve long since divested<\/a> from the <a href=\"https:\/\/www.refinery29.com\/en-us\/2021\/04\/10444066\/oscar-snubs-racism-2021\">gatekeeping archaic institutions<\/a> that consistently exclude Black folks from legacy awards, giving recognition where it\u2019s due still matters.\u00a0<\/p>\n<p>When <em>Sinners<\/em> was undoubtedly (when it came to box office performance <em>and<\/em> cultural impact) the movie of the year, and yet still is left off of multiple (white) critics\u2019 year-end lists and awards predictions, it\u2019s more and more evident that we need to uplift our own (let\u2019s not forget that winning an <a href=\"https:\/\/www.refinery29.com\/en-us\/2023\/02\/11306030\/naacp-image-awards-2023-winners-moments\">NAACP Image Award<\/a> should be just as big of an honor as getting an Oscar). We must acknowledge the best Black performances beyond the one or two actors that legacy awards deem worthy of being their annual token, albeit deserved, inclusions. We refuse to settle for crumbs. We get to exist in a timeline where a multitude of Black artistic expressions are celebrated. \u2018Tis the season to look back on the best of the best of the year and the best, as always, is Black as hell \u2014 whether they get accolades from certain governing bodies or not.<\/p>\n<p>These are the performances I\u2019ve been yelling at you about all year. So, here is my exhaustive, definitive, and still not long enough list of 2025\u2019s best Black film performances.\u00a0<\/p>\n<h2>Michael B. Jordan, <em>Sinners<\/em>\u00a0<\/h2>\n<p><iframe loading=\"lazy\" title=\"Sinners | Official Trailer\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/bKGxHflevuk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Five years ago, I wrote a piece called \u201c<a href=\"https:\/\/www.refinery29.com\/en-us\/2020\/01\/9192700\/michael-b-jordan-oscar-snubs-just-mercy\">Shouldn\u2019t Michael B. Jordan Have An Oscar Nomination By Now?<\/a>.\u201d In it, I argued that Jordan was long overdue for a nomination for an Academy Award. In 2020, the MBJ role in contention was his performance as real-life <a href=\"https:\/\/www.refinery29.com\/en-us\/2019\/12\/9070851\/where-is-michael-b-jordan-just-mercy-character-now\">social justice lawyer Bryan Stevenson<\/a> in <em>Just Mercy<\/em>. Despite being one of the most famous, talented, bankable heartthrobs in Hollywood, he hasn\u2019t garnered the same accolades his contemporaries of past generations had at his age (see DiCaprio, Damon, Cruise, Pitt). It may be five years late, but Jordan is finally in contention for a Best Actor nod for his portrayal of Smoke and Stack, the prodigal twins of <em>Sinners<\/em>. I bring up Jordan\u2019s awards chances not because I think a nomination or win would impact the quality of his work, but because after these performances, he deserves every accolade available to him in this industry. As Smoke and Stack, Jordan shows off range many of his detractors will swear he doesn\u2019t have. In each scene, with a tilt of his head or the looseness of his swagger, Jordan carves out each twin\u2019s mannerisms uniquely enough that you are rooting for Smoke while holding your breath waiting for Stack to mess things up, and subtly enough that it\u2019s clear the brothers are inseparable and to an untrained eye, sometimes indecipherable.\u00a0<\/p>\n<p>It takes a lot of skill to carry an ambitious masterpiece like <em>Sinners<\/em>. And to put it simply, the film does not work without the precision and thoughtfulness of Jordan\u2019s performances. We\u2019ve been watching him grow as an actor since he was coming of age in<em> All My Children, The Wire, <\/em>and <em>Friday Night Lights<\/em>, to young powerhouse showings in <em>Fruitvale Station<\/em> and <em>Creed<\/em>. Then, there were the bonafide blockbusters in <em>Creed II<\/em> and <em>Black Panther. <\/em>Jordan has proven \u2014 repeatedly \u2013\u00a0 that he\u2019s earned his status as a Movie Star. <em>Sinners<\/em> is proof he\u2019s done something so many of his peers only dream of: reached his potential and surpassed it. <\/p>\n<h2>Cynthia Erivo, <em>Wicked: For Good\u00a0<\/em><\/h2>\n<p><iframe loading=\"lazy\" title=\"Wicked: For Good | Official Trailer\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/vt98AlBDI9Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Yes, I am one of the few critics who actually liked <em><a href=\"https:\/\/www.refinery29.com\/en-us\/2025\/11\/11944213\/wicked-for-good-review-elphaba-glinda-love-story\">Wicked: For Good<\/a>.<\/em> I stand by my <a href=\"https:\/\/www.refinery29.com\/en-us\/2025\/11\/11944213\/wicked-for-good-review-elphaba-glinda-love-story\">review of the film<\/a>, which argued that while the movie is the weaker half in the two-part adaptation of the Broadway musical, it did right by its source material and delivered a thrilling, emotional, and endearing conclusion. And about Erivo, who is undoubtedly the best Elphaba of all time, I wrote, \u201cmany headlines about Wicked: For Good have <a href=\"https:\/\/www.thedailybeast.com\/obsessed\/wicked-for-good-review-give-ariana-grande-the-oscar-now\/\">focused on Ariana Grande<\/a>, and while it\u2019s true she is great in this sequel and that it\u2019s more Glinda\u2019s movie than Elphaba\u2019s, Erivo is still firing on all cylinders, delivering a timeless performance that is also worthy of unadulterated praise. Throughout <em>Wicked: For Good<\/em>, Elphaba goes from fugitive freedom fighter, to heartbroken friend and exasperated sister, to frustrated revolutionary, to lover in mourning, to resigned martyr. It\u2019s a depressing arc that sees the optimism of progressivism dashed with a big dose of witch-melting water. The simplicity of the message \u2014 that doing good comes at a cost, that no matter your intentions, things don\u2019t always work in your favor, and that facism may take on a new face but it\u2019s an ever-present threat \u2014 is the point.\u201d\u00a0<\/p>\n<p>The <em>Wicked<\/em> instalments are going to go down in history as two of the biggest movies of this decade, if not the century, and that will largely be because Cynthia Erivo gave us an unforgettable and undeniable Elphaba. <\/p>\n<h2>Tessa Thompson, <em>Hedda<\/em>\u00a0<\/h2>\n<p>Not to keep quoting myself but this is what I wrote about <a href=\"https:\/\/www.refinery29.com\/en-us\/2025\/10\/11939097\/hedda-movie-review-tessa-thompson-interview\"><em>Hedda<\/em> in my review<\/a> back in October: \u201cSet in 1950s England, as the party devolves into shambles \u2014 mostly orchestrated by Hedda herself \u2014 <em>Hedda<\/em> goes from a simmering conversation about what happens to a woman bound by her circumstances to a sexy psychological thriller about class, power, and ambition. As the events of the evening unfold, Hedda becomes more and more quietly unhinged and Tessa Thompson is so magnetic, oozing with charisma, that you can\u2019t look away and you can\u2019t help but root for one of the messiest women in cinematic history. I like to think of this column as my own Oscars. The Academy is going to deem their own \u201cbest of the best\u201d come March 2026, and while Tessa Thompson\u2019s name should definitely be on that ballot, in this space, I get to say what\u2019s the best of the year and I am telling you \u2014 unequivocally \u2014 that <em>Hedda<\/em> is one of the best films and performances of the past year. Period.\u201d\u00a0<\/p>\n<blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/reel\/DQmuE8PEda3\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\"background:#FFF;border:0;margin: 1px;max-width:540px;min-width:326px;padding:0;width:99.375%\">\n<div style=\"padding:16px\"> <a href=\"https:\/\/www.instagram.com\/reel\/DQmuE8PEda3\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\"background:#FFFFFF;line-height:0;padding:0 0;text-align:center;text-decoration:none;width:100%\" target=\"_blank\" rel=\"noopener noreferrer\"> <\/p>\n<div>\n<div style=\"background-color: #F4F4F4;height: 40px;margin-right: 14px;width: 40px\"><\/div>\n<div>\n<div style=\"background-color: #F4F4F4;height: 14px;margin-bottom: 6px;width: 100px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 14px;width: 60px\"><\/div>\n<\/div>\n<\/div>\n<div style=\"padding: 19% 0\"><\/div>\n<div style=\"height:50px;margin:0 auto 12px;width:50px\"><\/div>\n<div style=\"padding-top: 8px\">\n<div style=\"color:#3897f0;font-family:Arial,sans-serif;font-size:14px;font-style:normal;font-weight:550;line-height:18px\">View this post on Instagram<\/div>\n<\/div>\n<div style=\"padding: 12.5% 0\"><\/div>\n<div style=\"margin-bottom: 14px\">\n<div>\n<div style=\"background-color: #F4F4F4;height: 12.5px;width: 12.5px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 12.5px;width: 12.5px;margin-right: 14px;margin-left: 2px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 12.5px;width: 12.5px\"><\/div>\n<\/div>\n<div style=\"margin-left: 8px\">\n<div style=\"background-color: #F4F4F4;height: 20px;width: 20px\"><\/div>\n<div style=\"width: 0;height: 0;border-top: 2px solid transparent;border-left: 6px solid #f4f4f4;border-bottom: 2px solid transparent\"><\/div>\n<\/div>\n<div style=\"margin-left: auto\">\n<div style=\"width: 0px;border-top: 8px solid #F4F4F4;border-right: 8px solid transparent\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 12px;width: 16px\"><\/div>\n<div style=\"width: 0;height: 0;border-top: 8px solid #F4F4F4;border-left: 8px solid transparent\"><\/div>\n<\/div>\n<\/div>\n<div style=\"margin-bottom: 24px\">\n<div style=\"background-color: #F4F4F4;height: 14px;margin-bottom: 6px;width: 224px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 14px;width: 144px\"><\/div>\n<\/div>\n<p><\/a><\/p>\n<p style=\"color:#c9c8cd;font-family:Arial,sans-serif;font-size:14px;line-height:17px;margin-bottom:0;margin-top:8px;overflow:hidden;padding:8px 0 7px;text-align:center\"><a href=\"https:\/\/www.instagram.com\/reel\/DQmuE8PEda3\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\"color:#c9c8cd;font-family:Arial,sans-serif;font-size:14px;font-style:normal;font-weight:normal;line-height:17px;text-decoration:none\" target=\"_blank\" rel=\"noopener noreferrer\">A post shared by Unbothered (@r29unbothered)<\/a><\/p>\n<\/div>\n<\/blockquote>\n<h2>Wunmi Mosaku, <em>Sinners<\/em>\u00a0<\/h2>\n<p>As mentioned above, <em>Sinners<\/em>\u00a0is Michael B. Jordan\u2019s showcase. But it\u2019s more than just a vehicle for MBJ\u2019s movie stardom or a Southern gothic horror flick like it\u2019s been billed. It is that, but it\u2019s also an enthusiastic musical, a consequential period drama, and an earnest romance. It\u2019s the latter that piqued my interest the most, and its execution is swoon-inducing. I already knew Wunmi Mosaku was a star, but in this role, she\u2019s assertive, luminous and so damn sexy. Annie is the heart of\u00a0<em>Sinners<\/em>. She\u2019s also its hero.\u00a0\u00a0\u201cI like to think of Annie as Smoke\u2019s other other half, like Stack is,\u201d <a href=\"https:\/\/www.refinery29.com\/en-us\/2025\/04\/11881716\/sinners-movie-ending-explained-wunmi-mosaku-interview\">Mosaku said when we interviewed her in April<\/a>. \u201cStack is one side of him, but Annie is another side of him. She\u2019s his protector, lover, mother, safe place. She is his sanctuary.\u201d Annie\u2019s knowledge of the spiritual world also saves everyone\u2019s \u2014 including Smoke\u2019s \u2014 asses. \u201cShe moves with purpose. She moves with strength and power. She has such an anchored spirit and is so in tune with the other stuff that we can\u2019t see or feel or hear. She sees and feels and hears it.\u201d<\/p>\n<blockquote class=\"instagram-media\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/reel\/DIl_Z-DSY5a\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\"background:#FFF;border:0;margin: 1px;max-width:540px;min-width:326px;padding:0;width:99.375%\">\n<div style=\"padding:16px\"> <a href=\"https:\/\/www.instagram.com\/reel\/DIl_Z-DSY5a\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\"background:#FFFFFF;line-height:0;padding:0 0;text-align:center;text-decoration:none;width:100%\" target=\"_blank\" rel=\"noopener noreferrer\"> <\/p>\n<div>\n<div style=\"background-color: #F4F4F4;height: 40px;margin-right: 14px;width: 40px\"><\/div>\n<div>\n<div style=\"background-color: #F4F4F4;height: 14px;margin-bottom: 6px;width: 100px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 14px;width: 60px\"><\/div>\n<\/div>\n<\/div>\n<div style=\"padding: 19% 0\"><\/div>\n<div style=\"height:50px;margin:0 auto 12px;width:50px\"><\/div>\n<div style=\"padding-top: 8px\">\n<div style=\"color:#3897f0;font-family:Arial,sans-serif;font-size:14px;font-style:normal;font-weight:550;line-height:18px\">View this post on Instagram<\/div>\n<\/div>\n<div style=\"padding: 12.5% 0\"><\/div>\n<div style=\"margin-bottom: 14px\">\n<div>\n<div style=\"background-color: #F4F4F4;height: 12.5px;width: 12.5px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 12.5px;width: 12.5px;margin-right: 14px;margin-left: 2px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 12.5px;width: 12.5px\"><\/div>\n<\/div>\n<div style=\"margin-left: 8px\">\n<div style=\"background-color: #F4F4F4;height: 20px;width: 20px\"><\/div>\n<div style=\"width: 0;height: 0;border-top: 2px solid transparent;border-left: 6px solid #f4f4f4;border-bottom: 2px solid transparent\"><\/div>\n<\/div>\n<div style=\"margin-left: auto\">\n<div style=\"width: 0px;border-top: 8px solid #F4F4F4;border-right: 8px solid transparent\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 12px;width: 16px\"><\/div>\n<div style=\"width: 0;height: 0;border-top: 8px solid #F4F4F4;border-left: 8px solid transparent\"><\/div>\n<\/div>\n<\/div>\n<div style=\"margin-bottom: 24px\">\n<div style=\"background-color: #F4F4F4;height: 14px;margin-bottom: 6px;width: 224px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 14px;width: 144px\"><\/div>\n<\/div>\n<p><\/a><\/p>\n<p style=\"color:#c9c8cd;font-family:Arial,sans-serif;font-size:14px;line-height:17px;margin-bottom:0;margin-top:8px;overflow:hidden;padding:8px 0 7px;text-align:center\"><a href=\"https:\/\/www.instagram.com\/reel\/DIl_Z-DSY5a\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\"color:#c9c8cd;font-family:Arial,sans-serif;font-size:14px;font-style:normal;font-weight:normal;line-height:17px;text-decoration:none\" target=\"_blank\" rel=\"noopener noreferrer\">A post shared by Unbothered (@r29unbothered)<\/a><\/p>\n<\/div>\n<\/blockquote>\n<h2>Ayo Edebiri, <em>After The Hunt<\/em><\/h2>\n<p>I\u2019m ready to be right about <em><a rel=\"noreferrer noopener\" aria-label=\"After The Hunt (opens in a new tab)\" href=\"https:\/\/www.youtube.com\/watch?v=A8R6DMlDtxk\" target=\"_blank\">After The Hunt<\/a><\/em>. It might take a few years, but I swear this film will outlive its discourse. The Luca Guadagnino-directed drama documents a moment in time \u2014 a disturbing, delicate, and awkward moment in time, one that we are still navigating. And for better or worse, shouldn\u2019t we have art that reflects these times? That\u2019s what I wrote at the time of <a href=\"https:\/\/www.refinery29.com\/en-us\/2025\/10\/11937612\/after-the-hunt-review-ayo-edebiri-andrew-garfield-interview\">the film\u2019s release<\/a> and I stand by it: \u201cWith time, <em>After The Hunt <\/em>may hold up as a page to be read in the chapter of this so-called cultural reckoning. Think of it as a sleek and uncomfortable time capsule of the past half decade of #MeToo discourse, or as a character study of flawed intellectuals desperately attempting to perform their values while clinging to the facade of their respective identities. Or, as Ayo Edebiri told me, <em>After The Hunt <\/em>is a \u201c<a href=\"https:\/\/www.verywellmind.com\/what-is-the-rorschach-inkblot-test-2795806\">Rorschach test<\/a>\u201d that interrogates your discomfort. <\/p>\n<p>And it\u2019s in that discomfort where Edebiri and the rest of the cast (Andrew Garfield and Julia Roberts are both excellent as usual) shine. If you\u2019ve seen <em><a href=\"https:\/\/www.refinery29.com\/en-us\/2025\/07\/11919394\/the-bear-sydney-ayo-edebiri-emmy-nominations-comedy\">The Bear<\/a><\/em> or <em>Bottoms<\/em>, you know Edebiri is a star who can play awkward better than anyone. It was this role that reminded me that she\u2019s going to be around for a very long time. Going toe-to-toe with icon Roberts without flinching and sparring effortlessly with Oscar nominee Garfield, Edebiri in <em>After The Hunt<\/em> is one of those star-making performances that we\u2019ll look back on in awe. <\/p>\n<blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/reel\/DPmUkDBkYjd\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\"background:#FFF;border:0;margin: 1px;max-width:540px;min-width:326px;padding:0;width:99.375%\">\n<div style=\"padding:16px\"> <a href=\"https:\/\/www.instagram.com\/reel\/DPmUkDBkYjd\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\"background:#FFFFFF;line-height:0;padding:0 0;text-align:center;text-decoration:none;width:100%\" target=\"_blank\" rel=\"noopener noreferrer\"> <\/p>\n<div>\n<div style=\"background-color: #F4F4F4;height: 40px;margin-right: 14px;width: 40px\"><\/div>\n<div>\n<div style=\"background-color: #F4F4F4;height: 14px;margin-bottom: 6px;width: 100px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 14px;width: 60px\"><\/div>\n<\/div>\n<\/div>\n<div style=\"padding: 19% 0\"><\/div>\n<div style=\"height:50px;margin:0 auto 12px;width:50px\"><\/div>\n<div style=\"padding-top: 8px\">\n<div style=\"color:#3897f0;font-family:Arial,sans-serif;font-size:14px;font-style:normal;font-weight:550;line-height:18px\">View this post on Instagram<\/div>\n<\/div>\n<div style=\"padding: 12.5% 0\"><\/div>\n<div style=\"margin-bottom: 14px\">\n<div>\n<div style=\"background-color: #F4F4F4;height: 12.5px;width: 12.5px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 12.5px;width: 12.5px;margin-right: 14px;margin-left: 2px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 12.5px;width: 12.5px\"><\/div>\n<\/div>\n<div style=\"margin-left: 8px\">\n<div style=\"background-color: #F4F4F4;height: 20px;width: 20px\"><\/div>\n<div style=\"width: 0;height: 0;border-top: 2px solid transparent;border-left: 6px solid #f4f4f4;border-bottom: 2px solid transparent\"><\/div>\n<\/div>\n<div style=\"margin-left: auto\">\n<div style=\"width: 0px;border-top: 8px solid #F4F4F4;border-right: 8px solid transparent\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 12px;width: 16px\"><\/div>\n<div style=\"width: 0;height: 0;border-top: 8px solid #F4F4F4;border-left: 8px solid transparent\"><\/div>\n<\/div>\n<\/div>\n<div style=\"margin-bottom: 24px\">\n<div style=\"background-color: #F4F4F4;height: 14px;margin-bottom: 6px;width: 224px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 14px;width: 144px\"><\/div>\n<\/div>\n<p><\/a><\/p>\n<p style=\"color:#c9c8cd;font-family:Arial,sans-serif;font-size:14px;line-height:17px;margin-bottom:0;margin-top:8px;overflow:hidden;padding:8px 0 7px;text-align:center\"><a href=\"https:\/\/www.instagram.com\/reel\/DPmUkDBkYjd\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\"color:#c9c8cd;font-family:Arial,sans-serif;font-size:14px;font-style:normal;font-weight:normal;line-height:17px;text-decoration:none\" target=\"_blank\" rel=\"noopener noreferrer\">A post shared by Unbothered (@r29unbothered)<\/a><\/p>\n<\/div>\n<\/blockquote>\n<h2>David Jonsson, <em>The Long Walk<\/em><\/h2>\n<p><iframe loading=\"lazy\" title=\"The Long Walk (2025) Official Trailer 2 - Mark Hamill, Cooper Hoffman, David Jonsson\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Toj3Zxun7aQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><a rel=\"noreferrer noopener\" aria-label=\"David Jonsson (opens in a new tab)\" href=\"https:\/\/www.instagram.com\/davidjonsson__\/?hl=en\" target=\"_blank\">David Jonsson<\/a> doesn\u2019t get enough credit for being one of the most exciting and talented working actors of his generation. I officially fell in love with him in <em><a href=\"https:\/\/www.refinery29.com\/en-gb\/rye-lane-review-black-british-romcom\">Rye Lane<\/a><\/em>, one of the best rom-coms of the past decade, and this year, he showed versatility and depth in his choices. In <em>The Long Walk<\/em>, Jonsson anchors the film\u2019s brutal premise: a near-future America where teenage boys volunteer for a televised endurance contest that demands they keep walking above the minimum speed or face lethal consequences. Jonsson\u2019s performance is achingly vulnerable. As the miles stack up and the rules tighten (three warnings, then you\u2019re shot), Jonsson charts the slow erosion of bravado into something far more fragile. <\/p>\n<p>As realization sets in that survival isn\u2019t just about strong legs, it\u2019s about memory, friendship, and the will to keep choosing the next step, Jonsson is especially magnetic in the quieter stretches, trading jokes with fellow walkers (and delivering electric <a href=\"https:\/\/www.gq.com\/story\/cooper-hoffman-and-david-jonsson-gq-hype\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"chemistry with Cooper Hoffman (opens in a new tab)\">chemistry with Cooper Hoffman<\/a>) at dawn, bargaining with himself as the road narrows, and letting grief and resolve flicker across his face when the crowd\u2019s cheers turn hollow. Rather than leaning into the spectacle of the contest, Jonsson makes the walk feel personal. With each warning comes a small heartbreak and each mile an excruciating decision. grounding the dystopia in intimacy and reminding us that the most powerful performances don\u2019t outrun the story; they walk straight through it.<\/p>\n<h2>Naomi Ackie, <em>Mickey 17<\/em><\/h2>\n<p>It\u2019s still baffling to me that Bong Joon Ho\u2019s <em>Mickey 17<\/em> flopped because it\u2019s so weird and wonderful, and the kind of original movie from one of the greatest living directors that we need more of. But I refuse to let people forget about <a href=\"https:\/\/www.refinery29.com\/en-us\/2025\/03\/11864663\/naomi-ackie-mickey-17-nasha-character-interview\">Naomi Ackie\u2019s performance as Nasha<\/a>, the love interest to Pattinson\u2019s aloof Mickey. Nasha is wild, extremely weird, and an enforcer in a futuristic universe where civilian space travel to another planet sets it apart from our current reality, but a psychotic tyrannical politician with a god complex (<a rel=\"noreferrer noopener\" href=\"https:\/\/screenrant.com\/mickey-17-villain-donald-trump-parody\/\" target=\"_blank\">Mark Ruffalo\u2019s Kenneth Marshall<\/a>) makes it feel eerily familiar. <\/p>\n<p>Here\u2019s what I wrote back in March: \u201cWhile\u00a0<em>Mickey 17<\/em>\u00a0is, by all accounts, a showcase of Pattinson\u2019s unquantifiable talent, it\u2019s also a stunning display of how reliably formidable\u00a0<a href=\"https:\/\/www.refinery29.com\/en-gb\/naomi-ackie-actress-star-wars\">Naomi Ackie<\/a>\u00a0is. She\u2019s one of the brightest talents working right now, and the weirder she gets, the more wonderful it is to watch. Mickey is clueless, compliant, and a bit dense. Nasha is clever, confident, and fearless. Nasha could easily be relegated to a girlfriend-of-the-hero stereotype, a disposable plot device, but in Bong\u2019s script, she\u2019s assertive, motivated, and layered. And in Ackie\u2019s hands, Nasha leaps off the page and dazzles on screen.\u201d<\/p>\n<h2>Damson Idris,<em> F1<\/em><\/h2>\n<p>After captivating audiences as\u00a0<a rel=\"noreferrer noopener\" href=\"https:\/\/www.fxnetworks.com\/shows\/snowfall\/cast\/damson-idris-franklin-saint\" target=\"_blank\">Franklin Saint in\u00a0<\/a><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.fxnetworks.com\/shows\/snowfall\/cast\/damson-idris-franklin-saint\" target=\"_blank\">Snowfall<\/a><\/em>, Damson Idris had cemented himself as a young actor to watch in Hollywood. He shifted gears \u2014 literally \u2014 into high-octane territory with his leading role in\u00a0<em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.nytimes.com\/2025\/06\/26\/movies\/f1-movie-review-brad-pitt.html\" target=\"_blank\">F1<\/a><\/em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.nytimes.com\/2025\/06\/26\/movies\/f1-movie-review-brad-pitt.html\" target=\"_blank\">, the Formula 1 racing film<\/a>\u00a0from director Joseph Kosinski and co-starring Brad Pitt. I didn\u2019t love <em>F1<\/em>, but it was one of the biggest movies of the year and the things that do work about the film are thanks in large part to Idris, who brings charisma and surprising vulnerability to his portrayal of hotshot driver Joshua Pierce. <\/p>\n<p>Whether he\u2019s embodying a South Central kingpin or donning a racing suit opposite Hollywood heavyweights, Idris brings depth, precision, and a quiet confidence that continues to set him apart. And as Unbothered\u2019s very own\u00a0<a href=\"https:\/\/www.refinery29.com\/en-us\/author\/christa-eduafo\">Christa Eduafo<\/a>\u00a0found out when she sat down with him <a href=\"https:\/\/www.refinery29.com\/en-us\/2025\/06\/11910300\/damson-idris-f1-movie-interview\">earlier this year in New York City<\/a>, the actor is well aware that his Black female fanbase bet big on Damson Idris stock early. And with F1, it\u2019s clear our investment has paid off. <\/p>\n<blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/reel\/DLX3lVZs9fJ\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\"background:#FFF;border:0;margin: 1px;max-width:540px;min-width:326px;padding:0;width:99.375%\">\n<div style=\"padding:16px\"> <a href=\"https:\/\/www.instagram.com\/reel\/DLX3lVZs9fJ\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\"background:#FFFFFF;line-height:0;padding:0 0;text-align:center;text-decoration:none;width:100%\" target=\"_blank\" rel=\"noopener noreferrer\"> <\/p>\n<div>\n<div style=\"background-color: #F4F4F4;height: 40px;margin-right: 14px;width: 40px\"><\/div>\n<div>\n<div style=\"background-color: #F4F4F4;height: 14px;margin-bottom: 6px;width: 100px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 14px;width: 60px\"><\/div>\n<\/div>\n<\/div>\n<div style=\"padding: 19% 0\"><\/div>\n<div style=\"height:50px;margin:0 auto 12px;width:50px\"><\/div>\n<div style=\"padding-top: 8px\">\n<div style=\"color:#3897f0;font-family:Arial,sans-serif;font-size:14px;font-style:normal;font-weight:550;line-height:18px\">View this post on Instagram<\/div>\n<\/div>\n<div style=\"padding: 12.5% 0\"><\/div>\n<div style=\"margin-bottom: 14px\">\n<div>\n<div style=\"background-color: #F4F4F4;height: 12.5px;width: 12.5px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 12.5px;width: 12.5px;margin-right: 14px;margin-left: 2px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 12.5px;width: 12.5px\"><\/div>\n<\/div>\n<div style=\"margin-left: 8px\">\n<div style=\"background-color: #F4F4F4;height: 20px;width: 20px\"><\/div>\n<div style=\"width: 0;height: 0;border-top: 2px solid transparent;border-left: 6px solid #f4f4f4;border-bottom: 2px solid transparent\"><\/div>\n<\/div>\n<div style=\"margin-left: auto\">\n<div style=\"width: 0px;border-top: 8px solid #F4F4F4;border-right: 8px solid transparent\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 12px;width: 16px\"><\/div>\n<div style=\"width: 0;height: 0;border-top: 8px solid #F4F4F4;border-left: 8px solid transparent\"><\/div>\n<\/div>\n<\/div>\n<div style=\"margin-bottom: 24px\">\n<div style=\"background-color: #F4F4F4;height: 14px;margin-bottom: 6px;width: 224px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 14px;width: 144px\"><\/div>\n<\/div>\n<p><\/a><\/p>\n<p style=\"color:#c9c8cd;font-family:Arial,sans-serif;font-size:14px;line-height:17px;margin-bottom:0;margin-top:8px;overflow:hidden;padding:8px 0 7px;text-align:center\"><a href=\"https:\/\/www.instagram.com\/reel\/DLX3lVZs9fJ\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\"color:#c9c8cd;font-family:Arial,sans-serif;font-size:14px;font-style:normal;font-weight:normal;line-height:17px;text-decoration:none\" target=\"_blank\" rel=\"noopener noreferrer\">A post shared by Unbothered (@r29unbothered)<\/a><\/p>\n<\/div>\n<\/blockquote>\n<h2>Chase Infiniti, Teyana Taylor &amp; Regina Hall, <em>One Battle After Another\u00a0<\/em><\/h2>\n<p>The Black women characters in <em>One Battle After Another <\/em>have elicited divisive responses. Some critics have written off Teyana Taylor\u2019s Perfidia Beverly Hills as a sexualized stereotype with limited screen time and an underdeveloped character arc. In her <a rel=\"noreferrer noopener\" aria-label=\"Black Girl Watching Substack (opens in a new tab)\" href=\"https:\/\/open.substack.com\/pub\/blackgirlwatching\/p\/one-battle-after-another-review?r=1mo59&amp;utm_medium=ios\" target=\"_blank\">Black Girl Watching Substack<\/a>, Brooke Obie writes, \u201cBlack women are little more than props and plot devices\u201d and that \u201c[director Paul Thomas] Anderson isn\u2019t commenting on the white male fetishization of Black women, he\u2019s directly participating in it.\u201d While <a rel=\"noreferrer noopener\" aria-label=\"Angelica Jade Bastien for Vulture (opens in a new tab)\" href=\"https:\/\/www.vulture.com\/article\/black-actresses-are-carrying-one-battle-after-another.html\" target=\"_blank\">Angelica Jade Bastien for Vulture<\/a> says, \u201cThe Black women of the film are lightning rods for the most forceful conversations the film can bear, and it\u2019s thrilling to watch them embody what Anderson\u2019s script can only loosely hold.\u201d <\/p>\n<p>There\u2019s a lot to say about how Paul Thomas Anderson depicts Perfidia, Chase Infiniti\u2019s Willa, and Regina Hall\u2019s Deandra (I agree mostly with both Obie and Bastien and their reviews are required supplementary reading material post-watch of <em>OBAA<\/em>), but of all the critiques of the execution of the lofty ideas of revolution that PTA puts forth in the film, nothing negative can be said about the performances given by these three enigmatic actors. Infiniti is the breakout of the film, playing an almost grown up Willa (the daughter of DiCaprio\u2019s Pat and Taylor\u2019s Perfidia) with quiet resolve and appropriate teen angst. It\u2019s one of the most stunning breakout performances I\u2019ve ever seen and Infiniti should have her pick of roles in the aftermath of this movie\u2019s success. <\/p>\n<p>As for Hall and Taylor, we knew how talented they were \u2014 though in different mediums: Taylor as an artist, dancer, and creative director and Hall as a comedic genius. In this film, even if I wish the material lived up to their efforts, both are able to showcase their abilities to give grounding, affecting, dramatic performances. Deandra and Perfidia are in conversation with each other, showing two sides of how to be a revolutionary, and Hall and Taylor\u2019s performances are striking. While Perfidia is loud, brash, emotional, reckless, and boisterous, Deandra is methodical, focused, and intentional. <em>One Battle After Another <\/em>has been hailed as PTA\u2019s greatest masterpiece and don\u2019t get me wrong, I do think the movie is a triumph, but let\u2019s be clear on <em>why<\/em> it\u2019s great: Chase Infiniti, Teyana Taylor and Regina Hall. <\/p>\n<blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/reel\/DPFBbOoEa7S\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\"background:#FFF;border:0;margin: 1px;max-width:540px;min-width:326px;padding:0;width:99.375%\">\n<div style=\"padding:16px\"> <a href=\"https:\/\/www.instagram.com\/reel\/DPFBbOoEa7S\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\"background:#FFFFFF;line-height:0;padding:0 0;text-align:center;text-decoration:none;width:100%\" target=\"_blank\" rel=\"noopener noreferrer\"> <\/p>\n<div>\n<div style=\"background-color: #F4F4F4;height: 40px;margin-right: 14px;width: 40px\"><\/div>\n<div>\n<div style=\"background-color: #F4F4F4;height: 14px;margin-bottom: 6px;width: 100px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 14px;width: 60px\"><\/div>\n<\/div>\n<\/div>\n<div style=\"padding: 19% 0\"><\/div>\n<div style=\"height:50px;margin:0 auto 12px;width:50px\"><\/div>\n<div style=\"padding-top: 8px\">\n<div style=\"color:#3897f0;font-family:Arial,sans-serif;font-size:14px;font-style:normal;font-weight:550;line-height:18px\">View this post on Instagram<\/div>\n<\/div>\n<div style=\"padding: 12.5% 0\"><\/div>\n<div style=\"margin-bottom: 14px\">\n<div>\n<div style=\"background-color: #F4F4F4;height: 12.5px;width: 12.5px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 12.5px;width: 12.5px;margin-right: 14px;margin-left: 2px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 12.5px;width: 12.5px\"><\/div>\n<\/div>\n<div style=\"margin-left: 8px\">\n<div style=\"background-color: #F4F4F4;height: 20px;width: 20px\"><\/div>\n<div style=\"width: 0;height: 0;border-top: 2px solid transparent;border-left: 6px solid #f4f4f4;border-bottom: 2px solid transparent\"><\/div>\n<\/div>\n<div style=\"margin-left: auto\">\n<div style=\"width: 0px;border-top: 8px solid #F4F4F4;border-right: 8px solid transparent\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 12px;width: 16px\"><\/div>\n<div style=\"width: 0;height: 0;border-top: 8px solid #F4F4F4;border-left: 8px solid transparent\"><\/div>\n<\/div>\n<\/div>\n<div style=\"margin-bottom: 24px\">\n<div style=\"background-color: #F4F4F4;height: 14px;margin-bottom: 6px;width: 224px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 14px;width: 144px\"><\/div>\n<\/div>\n<p><\/a><\/p>\n<p style=\"color:#c9c8cd;font-family:Arial,sans-serif;font-size:14px;line-height:17px;margin-bottom:0;margin-top:8px;overflow:hidden;padding:8px 0 7px;text-align:center\"><a href=\"https:\/\/www.instagram.com\/reel\/DPFBbOoEa7S\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\"color:#c9c8cd;font-family:Arial,sans-serif;font-size:14px;font-style:normal;font-weight:normal;line-height:17px;text-decoration:none\" target=\"_blank\" rel=\"noopener noreferrer\">A post shared by Unbothered (@r29unbothered)<\/a><\/p>\n<\/div>\n<\/blockquote>\n<h2>Edi Gathegi, <em>Superman<\/em><\/h2>\n<p><iframe loading=\"lazy\" title=\"Superman | Official Teaser Trailer\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/uhUht6vAsMY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><em><a rel=\"noreferrer noopener\" aria-label=\"Superman was (opens in a new tab)\" href=\"https:\/\/www.youtube.com\/watch?v=PY-YcYmzgZI\" target=\"_blank\">Superman<\/a><\/em><a rel=\"noreferrer noopener\" aria-label=\"Superman was (opens in a new tab)\" href=\"https:\/\/www.youtube.com\/watch?v=PY-YcYmzgZI\" target=\"_blank\"> was<\/a> one of my favorite movies of the year. And while the main cast trio of David Corenswet, Rachel Brosnahan, and Nicholas Hoult, Edi <a rel=\"noreferrer noopener\" aria-label=\"Gathegi\u2019s Mister Terrific (opens in a new tab)\" href=\"https:\/\/variety.com\/2025\/film\/news\/superman-edi-gathegi-mister-terrific-credits-scene-x-men-1236460211\/\" target=\"_blank\">Gathegi\u2019s Mister Terrific<\/a> was a surprising delight. Mister Terrific emerges as one of <em>Superman<\/em>\u2019s smartest anchors, threading intellect through a story preoccupied with power, trust, and what the world expects its heroes to be. As the film tracks Clark Kent navigating a public increasingly skeptical of Superman\u2019s unchecked strength \u2014 while Lex Luthor\u2019s machinations test the limits of truth, tech, and influence \u2014 Gathegi\u2019s Mister Terrific operates in the grey area where ethics meet engineering. He\u2019s the one parsing data while everyone else argues optics, designing solutions as Superman wrestles with the cost of being a symbol. <\/p>\n<p>Mister Terrific is decisive, grounding the film\u2019s big ideals in method and consequence. Gathegi plays him as a moral mathematician, weighing outcomes with calm authority, so when the plot pivots from spectacle to strategy, his presence feels essential. It\u2019s a performance that could have easily gone unnoticed, but Gathegi makes it unforgettable. <\/p>\n<h2>Andre Holland, <em>Love, Brooklyn<\/em><\/h2>\n<p><iframe loading=\"lazy\" title=\"Love, Brooklyn | Official Trailer\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/UDNUneVRTKw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><a href=\"https:\/\/www.instagram.com\/andreholland\/?hl=en\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Andre Holland (opens in a new tab)\">Andre Holland<\/a> gives <a rel=\"noreferrer noopener\" aria-label=\"Rachael Abigail Holder\u2019s Love, Brooklyn (opens in a new tab)\" href=\"https:\/\/www.rogerebert.com\/reviews\/love-brooklyn-andre-holland-movie-review-2025\" target=\"_blank\">Rachael Abigail Holder\u2019s <\/a><em><a rel=\"noreferrer noopener\" aria-label=\"Rachael Abigail Holder\u2019s Love, Brooklyn (opens in a new tab)\" href=\"https:\/\/www.rogerebert.com\/reviews\/love-brooklyn-andre-holland-movie-review-2025\" target=\"_blank\">Love, Brooklyn<\/a><\/em> its bruised, beating heart, turning a deceptively small story about dating in the city into something quietly expansive. As Roger, a writer drifting between relationships, neighborhoods, and versions of himself, Holland captures the ache of romantic limbo with a performance that\u2019s all soft edges and sharp self-awareness. <\/p>\n<p>The film unfolds across intimate Brooklyn spaces \u2014 apartments that feel borrowed, late-night conversations that blur into morning, chance encounters that reopen old wounds \u2014 as Roger navigates his lingering bond with his ex (Nicole Beharie) and a tentative new connection (DeWanda Wise). Holland plays these emotional crosscurrents with exquisite restraint, letting hesitation, guilt, and longing flicker across his face before a single word lands. What makes his work so compelling is how deeply he understands the film\u2019s thesis: that love isn\u2019t always about grand declarations, but about timing, honesty, and the courage to stop hiding in the in-between. In Holland\u2019s hands, Roger is funny, charming, frustrating, and achingly recognizable; he\u2019s a man learning, step by step, how to choose presence over comfort. Holland doesn\u2019t get enough credit for consistently delivering devastating and entertaining performances. <\/p>\n<h2>Susan Chardy, <em>On Becoming A Guinea Fowl\u00a0<\/em><\/h2>\n<p><iframe loading=\"lazy\" title=\"On Becoming A Guinea Fowl | Official Trailer HD | A24\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/P5BWTLZjYR0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><a rel=\"noreferrer noopener\" aria-label=\"Susan Chardy gives On Becoming a Guinea Fowl (opens in a new tab)\" href=\"https:\/\/www.vogue.com\/article\/susan-chardy-on-becoming-a-guinea-fowl-interview\" target=\"_blank\">Susan Chardy gives <\/a><em><a rel=\"noreferrer noopener\" aria-label=\"Susan Chardy gives On Becoming a Guinea Fowl (opens in a new tab)\" href=\"https:\/\/www.vogue.com\/article\/susan-chardy-on-becoming-a-guinea-fowl-interview\" target=\"_blank\">On Becoming a Guinea Fowl<\/a><\/em> its emotional spine, guiding us through Rungano Nyoni\u2019s darkly surreal reckoning with family silence and collective denial. As Shula, Chardy moves through the aftermath of her uncle\u2019s sudden death \u2014 discovered on a roadside at night \u2014 and the elaborate funeral rituals that follow, where aunties organize, gossip circulates, and everyone seems determined to smooth over the past rather than confront it. <\/p>\n<p>While the film slips between realism and dreamlike interludes (guinea fowl skittering through memory, musical detours that feel like pressure valves), Chardy remains piercingly grounded, registering the weight of long-buried truths about abuse and complicity without ever spelling them out. Watch how she listens at the kitchen table, how her stillness cuts through the noise of ceremony, how her face hardens almost imperceptibly as the cost of silence becomes clear. Chardy doesn\u2019t just play a woman at a funeral, she embodies the exhaustion of being awake in a room determined to keep sleeping, making Shula\u2019s quiet resistance the film\u2019s most radical act.<\/p>\n<h2>Da\u2019Vine Joy Randolph, <em>Eternity<\/em><\/h2>\n<p>After <a href=\"https:\/\/www.refinery29.com\/en-us\/davine-joy-randolph-eternity-interview\">Da\u2019Vine Joy Randolph<\/a> won the Academy Award for Best Supporting Actress for <em>The Holdovers<\/em>, I was so excited to see her move into starring roles that were worthy of her talent. Playing secondary to Miles Teller in a rom-com starring Elizabeth Olsen wasn\u2019t exactly what I had in mind. But <em>Eternity<\/em> surprised me, and Randolph is exceptional in it. This is what I <a href=\"https:\/\/www.refinery29.com\/en-us\/davine-joy-randolph-eternity-interview\">wrote about the film<\/a> last month: \u201cAnna, the character, could easily fall into the magical negro trope, a one-note sidekick there in service of the white lead, but in Randolph\u2019s hands (and thanks to her hysterical dynamic with Joan\u2019s AC Ryan played by <a href=\"https:\/\/www.instagram.com\/bejohnce\/?hl=en\">John Early<\/a>), she\u2019s more than that. Anna is the film\u2019s constant comedic relief, and she\u2019s also its moral center, a grounding force that\u2019s there to remind Larry of the life he built with Joan for decades, while making us laugh repeatedly. That\u2019s the power of Da\u2019Vine Joy Randolph.\u201d<\/p>\n<blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/reel\/DRidvPsjHfk\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\"background:#FFF;border:0;margin: 1px;max-width:540px;min-width:326px;padding:0;width:99.375%\">\n<div style=\"padding:16px\"> <a href=\"https:\/\/www.instagram.com\/reel\/DRidvPsjHfk\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\"background:#FFFFFF;line-height:0;padding:0 0;text-align:center;text-decoration:none;width:100%\" target=\"_blank\" rel=\"noopener noreferrer\"> <\/p>\n<div>\n<div style=\"background-color: #F4F4F4;height: 40px;margin-right: 14px;width: 40px\"><\/div>\n<div>\n<div style=\"background-color: #F4F4F4;height: 14px;margin-bottom: 6px;width: 100px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 14px;width: 60px\"><\/div>\n<\/div>\n<\/div>\n<div style=\"padding: 19% 0\"><\/div>\n<div style=\"height:50px;margin:0 auto 12px;width:50px\"><\/div>\n<div style=\"padding-top: 8px\">\n<div style=\"color:#3897f0;font-family:Arial,sans-serif;font-size:14px;font-style:normal;font-weight:550;line-height:18px\">View this post on Instagram<\/div>\n<\/div>\n<div style=\"padding: 12.5% 0\"><\/div>\n<div style=\"margin-bottom: 14px\">\n<div>\n<div style=\"background-color: #F4F4F4;height: 12.5px;width: 12.5px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 12.5px;width: 12.5px;margin-right: 14px;margin-left: 2px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 12.5px;width: 12.5px\"><\/div>\n<\/div>\n<div style=\"margin-left: 8px\">\n<div style=\"background-color: #F4F4F4;height: 20px;width: 20px\"><\/div>\n<div style=\"width: 0;height: 0;border-top: 2px solid transparent;border-left: 6px solid #f4f4f4;border-bottom: 2px solid transparent\"><\/div>\n<\/div>\n<div style=\"margin-left: auto\">\n<div style=\"width: 0px;border-top: 8px solid #F4F4F4;border-right: 8px solid transparent\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 12px;width: 16px\"><\/div>\n<div style=\"width: 0;height: 0;border-top: 8px solid #F4F4F4;border-left: 8px solid transparent\"><\/div>\n<\/div>\n<\/div>\n<div style=\"margin-bottom: 24px\">\n<div style=\"background-color: #F4F4F4;height: 14px;margin-bottom: 6px;width: 224px\"><\/div>\n<div style=\"background-color: #F4F4F4;height: 14px;width: 144px\"><\/div>\n<\/div>\n<p><\/a><\/p>\n<p style=\"color:#c9c8cd;font-family:Arial,sans-serif;font-size:14px;line-height:17px;margin-bottom:0;margin-top:8px;overflow:hidden;padding:8px 0 7px;text-align:center\"><a href=\"https:\/\/www.instagram.com\/reel\/DRidvPsjHfk\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\"color:#c9c8cd;font-family:Arial,sans-serif;font-size:14px;font-style:normal;font-weight:normal;line-height:17px;text-decoration:none\" target=\"_blank\" rel=\"noopener noreferrer\">A post shared by Unbothered (@r29unbothered)<\/a><\/p>\n<\/div>\n<\/blockquote>\n<h2>Delroy Lindo &amp; Miles Caton in <em>Sinners <\/em><\/h2>\n<p><iframe loading=\"lazy\" title=\"Sinners | I Lied To You Song | Movie Clip | Warner Bros. Entertainment\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/S7jo5Cr6WUA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>I couldn\u2019t end this list without <a href=\"https:\/\/www.refinery29.com\/en-us\/2025\/04\/11884333\/sinners-true-story-robert-johnson-ryan-coogler-box-office-success\">mentioning Delroy Lindo<\/a> and <a rel=\"noreferrer noopener\" aria-label=\"Miles Caton in Sinners (opens in a new tab)\" href=\"https:\/\/screenrant.com\/sinners-sammie-miles-caton-first-performance-great\/\" target=\"_blank\">Miles Caton in <\/a><em><a rel=\"noreferrer noopener\" aria-label=\"Miles Caton in Sinners (opens in a new tab)\" href=\"https:\/\/screenrant.com\/sinners-sammie-miles-caton-first-performance-great\/\" target=\"_blank\">Sinners<\/a><\/em>. These two performances \u2014 one by a seasoned actor who has a career full of riveting characters, and the other by a brand new talent whose future is so blindingly bright \u2014 are just as integral to the success of <em>Sinners<\/em> as Jordan\u2019s portrayal of Smoke and Stack or Mosaku\u2019s Annie. <\/p>\n<p>Lindo plays Delta Slim, a boozy blues musician who reluctantly agrees to play at the twins new juke joint. Caton\u2019s Sammie is an aspiring musician who is eager to join his cousin in their new business venture. Both are at opposite ends of their musical pursuits, just like Caton and Lindo are at very different moments in their careers. But both characters are bound by their love of the blues, and their allegiance to their communities. While Sammie is naive, impatient, and yearning for adulthood, Delta Slim is wise, heedless yeet unflappable, and the surprising steady voice when the juke joint descends into chaos. <\/p>\n<p>In a perfect world, both Lindo and Caton would be swatting away awards for these performances, but whether or not they are showered with the praise and accolades they deserve, both actors gave two of the most exhilarating performances on screen in 2025. <\/p>\n<p><strong>Like what you see? How about some more R29 goodness, right here?<\/strong><\/p>\n<p><a href=\"https:\/\/www.refinery29.com\/en-us\/2024\/12\/11830656\/best-black-movie-performances-2024?utm_source=rss&amp;utm_medium=rss_linkback1\">WHAT\u2019S GOOD: The Best Black Performances Of 2024<\/a><\/p>\n<p><a href=\"https:\/\/www.refinery29.com\/en-us\/2025\/11\/11944213\/wicked-for-good-review-elphaba-glinda-love-story?utm_source=rss&amp;utm_medium=rss_linkback2\">In Defense Of &#8216;Wicked: For Good&#8217;<\/a><\/p>\n<p><a href=\"https:\/\/www.refinery29.com\/en-us\/2022\/12\/11238730\/best-black-film-performances-of-2022?utm_source=rss&amp;utm_medium=rss_linkback3\">Black Women Gave The Best Performances Of 2022<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Welcome to \u201cWhat\u2019s Good,\u201d a column where we break down what\u2019s soothing, distracting, or just plain good in Hollywood with a \u201crooting for everybody Black\u201d energy. These are the best onscreen performances of 2025 by Black performers.\u00a0 The headline of my end-of-year column hasn\u2019t changed since I started compiling the best of the best in&#8230;<\/p>\n","protected":false},"author":1,"featured_media":4177,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[15],"tags":[],"_links":{"self":[{"href":"http:\/\/baldheadedgirls.com\/index.php\/wp-json\/wp\/v2\/posts\/4175"}],"collection":[{"href":"http:\/\/baldheadedgirls.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/baldheadedgirls.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/baldheadedgirls.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/baldheadedgirls.com\/index.php\/wp-json\/wp\/v2\/comments?post=4175"}],"version-history":[{"count":2,"href":"http:\/\/baldheadedgirls.com\/index.php\/wp-json\/wp\/v2\/posts\/4175\/revisions"}],"predecessor-version":[{"id":4178,"href":"http:\/\/baldheadedgirls.com\/index.php\/wp-json\/wp\/v2\/posts\/4175\/revisions\/4178"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/baldheadedgirls.com\/index.php\/wp-json\/wp\/v2\/media\/4177"}],"wp:attachment":[{"href":"http:\/\/baldheadedgirls.com\/index.php\/wp-json\/wp\/v2\/media?parent=4175"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/baldheadedgirls.com\/index.php\/wp-json\/wp\/v2\/categories?post=4175"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/baldheadedgirls.com\/index.php\/wp-json\/wp\/v2\/tags?post=4175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}